Paintings in Situ

 

A still life finds a new home near Canberra, in the kitchen!

Two paintings in the same home in Newtown, Sydney.

Top left and lower right. 

A closer view of one of the paintings at the top installed in the kitchen in a home in Newtown, Sydney NSW,

2023 Recent Paintings

 Recent Paintings 2023

For further information regarding purchase of works please contact:
Michael Reid Northern Beaches
2/358 Barrenjoey Road, Newport New South Wales 2106

02 8353 3505

Tickle My Fancy, oil on canvas 50.5 cm x 60.5 cm

Still Life with Brown Paper, oil on canvas 50.5 cm x 60.5 cm

Still Life with Silk Cloth, oil on canvas 50.5 cm x 60.5 cm

Pink Please, oil on canvas 55.5 cm x 50.5 cm

Still Life with Cloth, oil on canvas 50.5 cm x 50.5 cm

Still Life on Striped Box, oil on canvas 50.5 cm x 50.5 cm

Summer Tones, oil on canvas 60.5 cm x 50.5 cm

Coffee Pots with Red Cloth, oil on canvas 50.5 cm x 60.5 cm

"Cézanne stated that the purpose of painting was to give people a ‘taste of nature’s eternity’; the filmmaker Pablo Pasolini said his films meant to ‘restore to reality its original sacred significance’, to help people see through the apparent multiplicity and diversity of things to its original, divine essence;"

From Blog by Rupert Spira

Awake – and then? | Blog | Rupert Spira

Renewal 5 March 2022 New Paintings

Japan I, oil on canvas, 40.5 cm x 50.5 cm

Japan II, oil on canvas, 40.5 cm x 50.5 cm

    Pois Verts, oil on canvas, 51 cm x 51 cm

After very long periods of lockdowns in Melbourne, a burst of energy into painting as celebration emerges. May this continue endlessly. A new time in my life, of spring, renewal. May I ride the wave and see this through. In the spirit of joy and play, thank you to all.

 

Japan II is the second painting of 2 works that I was inspired to paint after my very first trip to Japan a few years ago. I travelled with my closest friend who is also a painter. We both share a love of oriental culture and philosophy.
I particularly have always been drawn to Japanese poetry, architecture, in general the very refined culture and fine sense of artistic arrangement steeped in ancient philosophy and time worn wisdom.
I couldn’t resist the simple nature of the combination of objects, all Japanese, that are in this painting. The empty Japanese gin bottle, the simple yet elegant cups from the Japanese store Daiso, and the small but practical sake bottle that I bought from a tourist shop in Kyoto. Elegance doesn’t have to mean expensive, oh, and an apple, as a nod to nature and its essential healing, nourishing role in all of this. A ‘visual’ haiku in effect!

Needing green in a Covid lockdown

"Fruit on Blue" oil on canvas, 51 cm x 40.5 cm

"Fruit on Green" oil on canvas, 51 cm x 40.5 cm

"Paint Brushes" oil on canvas, 50.5 cm x 60.5 cm

Didn't I tell you do not leave me for I am your only Friend, I am the spring of life?

Even if you leave in anger for thousands of years 

You will come back to me for I am your goal and your end.

Didn't I tell you not to be seduced by this colourful world for I am the Utlimate Painter.

Didn't I tell you, you are a fish, do not go to dry land for I am the deep Sea.

Didn't I tell you not to fall in the net like birds for I am your wings and the power of light.

Didn't I tell you not to let them change your mind and turn you to ice for I am your fire and warmth.

Didn't I tell you they will corrupt you and make you forget that I am the Spring of all virtues.

Didn't I tell you not to question my actions for everything falls into order, I am the Creator.

Didn't I tell you your heart can guide you home because it knows that I am your Master.

- Rumi

Dissolve

 

Dissolve, oil on canvas, 40.5cm x 51cm

"Who's to say

What's impossible

Well they forgot

This world keeps spinning

And with each new day

I can feel a change in everything

And as the surface breaks reflections fade

But in some ways they remain the same

And as my mind begins to spread it's wings

There's no stopping curiosity

I want to turn the whole thing upside down

I'll find the things they say just can't be found

I'll share this love I find with everyone

We'll sing and dance to Mother Nature's songs

I don't want this feeling to go away

Who's to say

I can't do everything

Well I can try

And as I roll along I begin to find

Things aren't always just what they seem" - from song by Jack Jackson, Upside Down.

Accession

"Accession" oil on canvas, 51cm x 51cm

When suddenly I found my voice, my authority, I knew I had melted into 'something' that was always there, eternally unbound and undivided.

"Accession" is an image of this realization.

This is everybody's birthright to rest in this place with awareness. But I wonder if everyone is aware of this. 

Painting requires me to be empty, empty of what? All my stories attached to feelings of all kinds of strength and intensity. I have had plenty of those over the last 10 years and more so these last 5 years .And before that, I was numb of feelings, just confusion.

To distil all this from the unique pattern of my own life leaves me with an ungraspable and powerful essence of myself, which is available to all if you can ignore the personal. It is everywhere and you are it.

Simply put, my priorities have changed, it's the end of my world.

"A bit of advice given to a young Native American at the time of his initiation:

As you go the way of life, you will see a great chasm. Jump. it is not as wide as you think."

- Joseph Campbell

New Paintings

"Play" oil on canvas, 50 cm x 50 cm

"Distortion" oil on canvas, 50 cm x 50 cm

"Middle Line" oil on canvas, 50 cm x 50 cm

"Grow" oil on canvas, 51 cm x 51 cm

Painting these works helped me to sift and to reflect on childhood memories and connections.
The pink patterned Royal Doulton set was my mother's good china, and expressed so much her ideals of English country living. Unfortunately, she was never able to a live country life as she was beset with depression and spent most of her time in bed for the last 30 years and before that I remember her crying a lot and telling me things that were inappropriate for my young ears to hear. Funnily enough, the coffee pots had lids, but they were all the wrong size and didn't fit the pots. I threw out the lids with a sense of remembrance of childhood frustration that I often used to feel around my mother.

The other cups of a modern design, express me in a sense, in comparison with my mother. I was able to function in the world in a way that she was unable to do. I had different values, certainly a much freer life than her youth, which she felt deeply. I didn't fuss about much but just got on with things, I observed more and kept to myself. I was free and innocent, unaware of my mother's continual projections on to me. Understanding much more about the situation now, has led me to feel peace and an inner reconciliation in me.